These papers are all in draft form and not to be cited or otherwise used…
Session 1
- Timothy Taylor – The absence of culture in the study of music, or, culture as a cultural system
- Stephen Amico – “Ethn[…]’s” Elisions: Toward a Culturally Situated Musicology
- Laudan Nooshin – ‘A rose by any other name …’: ‘Cultural Musicology’ and its Premises
Session 2
- Katherine Butler Schofield – The New Cultural Histories of Music/of India
- Barbara Titus – Musicologica, or, the ownership of (musical) knowledge, A South African story
Session 3
Session 4
- Simone Krüger – Music, Mediation and Place: A Cultural Musicology of the Cosmopolitan City
- Pirkko Moisala et. al. – Noticing Music: Sounding Glimpses of Covent Garden as Relational Events
Session 5
- Nicholas Cook – Anatomy of an encounter: Debussy and the gamelan, again
- Edward Herbst – Reviving Early Twentieth-Century Balinese Vocal Styles through the Music Recordings of 1928
- Matthew Gelbart – Nineteenth-Century Piano Transcriptions and the Development of Modern Listening
Session 6
- Richard Widdess – Pulling chariots, singing songs: Musical structure, performance and cultural meaning in a dāphā song from Nepal
- Lakshmi Subramanian – Aural Culture: Music and mediations in South Asia
Session 7
- Sarah Weiss – Preliminary Thoughts on Race, Space, Nostalgia and Performance in Singapore
- Martin Clayton – The culture of Indian music performance
- Dard Neuman – Behram Khan and the Heterodox Classicization of Hindustani Music
Session 8
- Annette Wilke – The Nada-Brahman – Language, Music, and Sonic World-View in Hindu India
- Simone Mahrenholz – The Copernican Turn in Musicology, or: Musico-logica and the hidden knowledge in music
Frame for the concluding speech